This Marshall full stack includes a 1959HW head, a 1960AHW angled extension cab, and a 1960BHW straight extension cab.Marshall 1959HW Handwired Plexi Head The Marshall 1959HW amp head is a handwired reissue of a circa 1967 100W Superlead head. Since 1967 when the JMP (Jim Marshall Products) Plexi panels were introduced, the Superlead head has been the benchmark for all-tube distortion and tight crunch. Tube lineup includes 4 EL34s in the power section and 3 ECC83s in the preamp. True bypass effects loop, 3-band EQ, and presence control.Marshall 1960AHW & 1960BHW 120W 4x12 Extension Cabinets The 1960AHW and 1960BHW are hand-soldered, 120W, mono, 16-ohm 4x12" guitar speaker cabinets with salt 'n' pepper grille cloths, metal handles, loaded with reissue 30W Celestion G12H speakers.

This Marshall Full Stack includes a 1959SLPX Vintage Series 100W Tube Head and 1960AX/1960BX 100W 4x12 Guitar Extension Cabinets that enable you to play it loud and play it proud.1959SLPX Vintage Series 100W Tube Head This all-tube Marshall 1959SLPX tone machine cranks out fabulous lead distortion and tight crunch exactly like the original model from the 1967 to 1969 era. Inspired by Pete Townshend's unquenchable thirst for VOLUME, this guitar amp head features 100W of power from 4 EL34s and 3 ECC83s in the preamp the exact configuration of the original. True bypass series FX loop, 3-band EQ, and presence control.1960AX and 1960BX 100W 4x12 Guitar Extension Cabinet The Marshall 1960X speaker cab consists of 4 separate birch ply enclosures, each loaded with a Celestion G12M Greenback 12" speaker and has a 100W power handling rating. Tonally this speaker cabinet falls between the 1960A's brightness and the 1960TV's warmth. Greenback G12M speakers have a very distinctive sound with a fast, snappy response that adds detail and dynamics to both clean and distorted playing. The 1960X Extension Cabinet uses the early '70s LC checkered grille cloth and a less-textured vinyl covering. If used as a half stack with a 100W head, a power brake is recommended.

Get more punch and crunch with this Marshall full stack featuring a JVM410H Tube Amp Head with a 1960AV/1960BV Full Stack.JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H amp head has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!1960AV and 1960BV 280W 4x12 Guitar Extension Cabinet The Marshall 1960V Vintage Speaker Cabinet puts out beautiful tone at any volume. The addition of an impedance (4 or 16 ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. This 280W Marshall cab is loaded with Celestion Vintage 30 speakers.

This full stack includes one JCM800 2203 tube head, one 1960A angled guitar extension cab, and one 1960B straight guitar extension cab.Marshall JCM800 2203 Vintage Series 100W Tube Head One of the most highly respected 100W Marshall heads in the company's long history. Evolving from the legendary Plexi head, it was one of the first Marshall amplifiers to feature a master volume control. The essence of simplicity, the JCM800 is a one-channel, all-valve amp with no reverb or effects. Its easy control panel, distinctive roar, and larger-than-life edge immediately set the standard by which all other rock amps were judged and it remained the industry benchmark throughout the entire 16 years of its production life. Now it's back by popular demand and just like the 1959SLP and 1987X it has a Series Effects Loop with true bypass that takes the loop completely out of the circuit ensuring the original tone isn't compromised in any shape or form.Marshall 1960A & 1960B 300W 4x12 Guitar Extension Cabinets These speaker cabinets put out beautiful tone at any volume. The addition of an impedance (4- or 16-ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers.

This full stack includes one JTM45 amp head, one 1960AX angled guitar extension cab, and one 1960BX straight guitar extension cab.Marshall JTM45 Amp Head A lovingly created reproduction of Jim Marshall's first amplifier. Now the classic JTM45 amplifier head is accessible to all who enjoy its glassy, clean tone and fluid, warm sustain.By including GZ34 valve rectification, as found in the original, Marshall has ensured a faithful recreation of the JTM45's glorious sound. The GZ34 rectifier valve interacts with the rest of the valves causing subtle harmonics to shift and smolder beneath every note you play.Marshall 1960AX & 1960BX 100W 4x12 Guitar Extension Cabinets Each speaker cab consists of 4 separate birch ply enclosures, each loaded with a Celestion G12M Greenback 12" speaker and has a 100W power handling rating. Tonally, these speaker cabinets fall between the 1960A's brightness and the 1960TV's warmth. Greenback G12M speakers have a very distinctive sound with a fast, snappy response that adds detail and dynamics to both clean and distorted playing. These cabinets use the early '70s LC checkered grille cloths and a less-textured vinyl covering.

This Marshall full stack includes one JVM410H Tube Amp Head and a 1960A angled cab with a 1960B straight cab for some serious stage presence. JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H amp head has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1960A and 1960B 300W 4x12 Guitar Extension CabinetThe Marshall 1960 Speaker Cabinet puts out beautiful tone at any volume. The addition of an impedance (4 or 16 ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers. The bottom cabinet is traditionally square-shaped with casters while the top speaker has an angled front.

This full stack includes one JCM800 2203KK amp head, one 1960AV angled guitar extension cab, and one 1960BV straight guitar extension cab.Marshall 2203KK Kerry King Signature JCM800 Guitar Amp Head The all-valve Kerry King Signature JCM800 2203KK is the essence of simplicity-a single-channel tube amp with no reverb or effects. It's easy control panel, distinctive roar, and larger than life edge has set the standard by which many rock amps are judged. This Kerry King model features a switchable Kerry King signature sound section called "The Beast" that has two adjustable controls-"Assault" & "Gate." "Assault" intensity controls the extent of Kerry's signature EQ boost, and "Gate" is an adjustable, studio-quality, ultra-fast noise reduction unit. You'll still find a Series Effects Loop with true bypass that takes the loop completely out of the circuit, ensuring the original tone isn't compromised in any shape or form. The 3-band EQ gives you plenty of control, but the base tone of this amplifier is patterned after the reverse-shape EQ setting used by Kerry himself! Eye-catching tribal graphics blaze from the front panel and baffle. Jim Marshall and Kerry King's signature's on the control panel identify its pedigree.Marshall 1960AV & 1960BV 280W 4x12 Guitar Extension Cabinets These speaker cabs put out beautiful tone at any volume. The addition of an impedance (4- or 16-ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. These 280W Marshall cabinets are loaded with Celestion Vintage 30 speakers.

The Marshall Vintage Modern 2466 Full-Stack includes the Vintage Modern 2466 Tube Amp Head, Vintage Modern 425A angled speaker cabinet and Vintage Modern 425B straight speaker cab.The Marshall Vintage Modern 2466 Tube Amp Head is an all-valve amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument's Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) - Body and Detail - facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall guitar amplifiers to be produced, with four KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.Finally, a series FX loop is provided for those players who wish to use outboard effects to further enhance their sound. Loop levels of 10dB and +4dB can be controlled via a rear panel switch as well as the option to completely bypass this feature if it is not required.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire speaker series.The Marshall Vintage Modern 425A angled cab and 425B straight cab are traditional Marshall 4 x 12 speaker enclosures in design. These cabs are mono/stereo switchable and are loaded with G12C 25 Watt Celestion Greenbacks. These were specifically developed for the Limited Edition Jimi Hendrix Super100JH stack and are voiced to give that rich and balanced harmonic timbre that complements vintage tone and the Vintage Modern Series perfectly.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.

This full stack includes one JCM800 2203KK amp head, one 1960A angled guitar extension cab, and one 1960B straight guitar extension cab.Marshall 2203KK Kerry King Signature JCM800 Guitar Amp Head The all-valve Kerry King Signature JCM800 2203KK is the essence of simplicity-a single-channel tube amp with no reverb or effects. It's easy control panel, distinctive roar, and larger than life edge has set the standard by which many rock amps are judged. This Kerry King model features a switchable Kerry King signature sound section called "The Beast" that has two adjustable controls-"Assault" & "Gate." "Assault" intensity controls the extent of Kerry's signature EQ boost, and "Gate" is an adjustable, studio-quality, ultra-fast noise reduction unit. You'll still find a Series Effects Loop with true bypass that takes the loop completely out of the circuit, ensuring the original tone isn't compromised in any shape or form. The 3-band EQ gives you plenty of control, but the base tone of this amplifier is patterned after the reverse-shape EQ setting used by Kerry himself! Eye-catching tribal graphics blaze from the front panel and baffle. Jim Marshall and Kerry King's signature's on the control panel identify its pedigree.Marshall 1960A & 1960B 300W 4x12 Guitar Extension Cabinets These speaker cabs put out beautiful tone at any volume. The addition of an impedance (4- or 16-ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers.

This Marshall full stack includes one 2266 amp head, one 425A angled speaker cab, and one 425B straight speaker cab.Marshall Vintage Modern 2266 Tube Amp Head This head is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument's Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance. Two frequency selective Pre-amp Volumes (Gains)-Body and Detail-facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound. A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch. Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of 10dB and +4dB can be controlled via a rear panel switch as well as the option to completely bypass this feature if it is not required. The cosmetics are also a carefully crafted hybrid of old and new styles-made even more dramatic by the deep purple vinyl that covers the entire series.Marshall Vintage Modern 425A & 425B 4x12 Extension Speaker Cabinets These cabinets are traditional Marshall 4 x 12 speaker cabs in design. These cabs are mono/stereo switchable and are loaded with G12C 25 Watt Celestion Greenbacks. These were specifically developed for the Limited Edition Jimi Hendrix Super100JH stack and are voiced to give that rich and balanced harmonic timbre that complements vintage tone and the Vintage Modern Series perfectly. The cosmetics are also a carefully crafted hybrid of old and new styles-made even more dramatic by the deep purple vinyl that covers the entire series.

Marshall 1959SLPX Vintage Series 100W Tube Head This all-tube tone machine cranks out fabulous lead distortion and tight crunch exactly like the original model from the 1967 to 1969 era. Inspired by Pete Townshend's unquenchable thirst for volume, this guitar amp head features 100W of power from 4 EL34s and 3 ECC83s in the preamp-the exact configuration of the original. True bypass series FX loop, 3-band EQ, and presence control.Marshall 1960TV Cabinet The 1960TV speaker cab has an angled front; four 12" Greenback speakers; and a warmer, thicker sound than the 1960A. This 100W, mono, 16-ohm cabinet is 3 inches taller than a standard 1960A 4x12 cabinet which results in well defined mid range and a lowered resonant frequency for more prominent lows. The 25W Greenbacks are less in your face than the 75W Celestions in the 1960A. Although not a reissue-it was never offered in the past-this cab recreates the classic look and tones of yesteryear.

Marshall JTM45 Amp Head A lovingly created reproduction of Jim Marshall's first amplifier. Now the classic JTM45 is accessible to all who enjoy its glassy, clean tone and fluid, warm sustain. By including GZ34 valve rectification, as found in the original, Marshall has ensured a faithful recreation of the JTM45's glorious sound. The GZ34 rectifier valve interacts with the rest of the valves causing subtle harmonics to shift and smolder beneath every note you play.Marshall 1960TV Cabinet Has an angled front; four 12" Greenback speakers; and a warmer, thicker sound than the 1960A. This 100W, mono, 16-ohm cabinet is 3 inches taller than a standard 1960A 4x12 cabinet which results in well defined mid range and a lowered resonant frequency for more prominent lows. The 25W Greenbacks are less in your face than the 75W Celestions in the 1960A. Although not a reissue-it was never offered in the past-this cab recreates the classic look and tones of yesteryear.