The Line 6 Spider III HD150 Guitar Amplifier Head delivers killer amp and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more! Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more. These presets combined with 7 quality effects models, make the Spider III amp head a giant of tone that give you any sound you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Line 6 Spider III is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when a discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender amps, including the blackface ‘65 Twin Reverb and blackface ‘64 Deluxe Reverb. We wanted an Amp Model that has that classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender tweed Deluxe Reverb, ‘58 Fender tweed Bassman and a ‘60 Gibson Explorer to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall JTM-45, a ‘58 Fender Bassman, a ‘63 Fender Vibroverb and a Supro, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amp had.On Fire: Green LED – This Amp Model is based on* a 68 Marshall Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.Metal: Red LED – This Amp

The Ibanez Artcore AS93 is a semi-hollowbody electric guitar that goes for an amazingly affordable price plus you get the quality and tone you expect from Ibanez. After all, they’re the guitar company with over four decades of experience making full and semi-acoustic guitars.The Artcore AS93 features a 3-piece neck for additional stability and strength and stunning abalone inlays. Medium output Artcore pickups produce clear tones and work well with effects pedals.

The Marshall MG100DFX is a 2-channel amp with special features such as FDD (Frequency Dependent Dampening), CD iputs, plus emulated line out, and emulated headphone jacks. It features digital effects including reverb, delay, chorus, and flange. With 100W, this is a fully gig-capable amp and it retains all the features that make it great for practice, too. The Marshall MG412 straight cab is the perfect match to the MG100HDFX. This 8 ohm, 120W cab is loaded with 4 – 12″ custom-voiced Marshall/Celestion speakers and finished in rugged black Tolex.

A trimmed-down, lightweight body for rapid motion is married to screamin’ Dean hi-output pickups and a lightning-fast, full-scale neck to create a lean and mean sound machine. Radical body style and black hardware give it looks to kill for.

Dean’s Vendetta 4 electric guitar is made from solid mahogany with a quilted maple top and maple neck-thru construction that provide jaw-dropping good looks and amazing, fat sound. Mahogany’s warm tone and sustain meets the bright edge of maple for a full spectrum of tone. Powerful Dean USA DMT Time Capsule humbuckers faithfully carry every shred and crunch to your amp. Your pilot’s license is waiting in the form of the guitar’s Floyd Rose-licensed tremolo, fueled up and ready to dive-bomb the very next crowd you play for. Razor wire style inlay will inspire you to really tear it up.

The Standard Strat HSS guitar features special switching for its humbucking bridge pickup and two single-coil pickups in the neck and middle positions. Other features include an alder body, modern C-shaped maple neck, chrome hardware and vintage-style synchronized tremolo.

Fender’s Road Worn ’60s Jazz Bass, like classic cars or your favorite T-shirt, shows that some things just get cooler with age. It’s especially true of electric basses, and this roughed-up Jazz bass is designed to exude that same unmistakable mojo they develop over time that only makes them look cooler and feel even more comfortable than when they were brand-new. The Road Worn ’60s Jazz Bass guitar was designed with 1960s specs and delivers that killer aged look, feel, and mojo—it’s a true player.

This premium Fender American Deluxe Jazz Bass represents the production Fender bass guitar at its very best. It’s beautifully crafted and finished and features great hardware and electronics. Equipped with Fender/Schaller Deluxe Lite-Bass tuners, a deluxe chrome-plated bridge that allows both string-thru or top-loading, and 2 dual-coil Samarium Cobalt Noiseless Jazz pickups. The Fender American Deluxe Jazz Bass also has 18-volt 3-band active EQ with master volume and a pan pot for pickup blending. This select alder-body bass has a modern C-shaped, graphite-reinforced maple neck with a contoured heel (for easy access to upper frets), five-bolt neck plate, rosewood rolled-edge fingerboard, abalone dot inlays, and highly detailed nut and fret work.

Wide seventies headstock, fat frets, scorching alnico pickups, upgraded vintage-style bridge, and super-light nitro satin finish make this American-made left-handed Highway One Stratocaster ready for the open road. Alder body, C-shaped maple neck, and Greasebucket tone circuit round out a classic electric guitar.

The Standard Strat features a fast-action maple neck, comfort-contoured alder body, three single-coil pickups and standard synchronized tremolo—it’s where the tradition began and still carries on today.