The Line 6 Spider III 75 Guitar Combo Amp delivers killer amplifier and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more.Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more! These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any tone you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III guitar speaker is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when their discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender amps, including the blackface ‘65 Twin Reverb and blackface ‘64 Deluxe Reverb. It has classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender tweed Deluxe Reverb, ‘58 Fender tweed Bassman and a ‘60 Gibson Explorer to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall JTM-45, a ‘58 Fender Bassman, a ‘63 Fender Vibroverb and a Supro, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amplifier had.On Fire: Green LED – This Amp Model is based on* a 68 Marshall Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.Metal: Red LED – This Amp Model is based on* the M

The THD UniValve Rackmounted Guitar Amplifier Head is a single-ended class A amplifier head with a single output tube that can be switched at will among many octal-based power tubes, including 6L6, EL34, 6550, KT90, KT88, KT77 and KT66, for different tones without re-biasing the amp. Likewise, the two preamp tubes can be any combination of 12AX7, 12AT7, 12AU7, 12AY7 or 12AZ7. The UniValve delivers tones from smooth and clear to very aggressive overdrive. It is quite small and light, yet easily capable of driving a 4 x 12″ cabinet. It has a built-in hot plate power attenuator that allows for full output distortion at almost any volume. And it doesn’t cost as much as you might think.What is a Class A? Class A is a term given to an amp that runs its tubes at full current all the time, unlike most tube amps that alternate between running one set of tubes and the other set, each for one half of the wave. The set not in use is turned off by a positive swing of the grid voltage. Single-ended output stages always operate in Class A. Most push-pull amplifiers, including the venerated Vox AC-30 operate in Class AB when overdriven, even if they are in Class A while clean. The upshot is that Class A operation has its own unique tone characteristics that set it apart from other tube amp classes. Class A amps sound great at low volumes, and even better as you turn them up. Thus, with the relatively low wattage of the UniValve you can turn up the amplifier to take full advantage of its stunning output distortion tone without deafening anyone. Why the self-biasing feature? The UniValve’s circuitry senses the current needs of the output tube and provides the correct bias volt-age to the cathode of the output tube regardless of tube type or wear. This means that, without any trip to an amp technician, you can simply replace the output tube with one that has different sound characteristics. (Of course, you can also change the preamp tubes at will for even more tonal variations.) For example, a 6550 will stay cleaner at higher volumes, but when overdriven, yields an astoundingly “woody” character to the overdrive. On the other hand, an EL34 will break up earlier than a 6550 and gives a more British sound. The ever-popular 6L6 family of tubes gives a tight overdrive with less power than a 6550 but more detail than an EL34. Even within the same type of output tube there are “harder” and “softer” tubes, so two guitarists playing with the same guitar through the same UniValve, but simply switching the tubes to their preference, can have noticeably different tones.Controls and Features The UniValve has two inputs: one for high gain and one for low gain ranges. The low gain input with 12AX7 preamp tubes in the amp gives a wide range of clean sounds from country clean and crisp to jazz warmth. With the controls pegged and a relatively high-output humbucker, the low-gain input can deliver a very convincing Texas blues type of ov

The THD UniValve Rackmounted Guitar Amplifier Head is a single-ended class A amplifier head with a single output tube that can be switched at will among many octal-based power tubes, including 6L6, EL34, 6550, KT90, KT88, KT77 and KT66, for different tones without re-biasing the amp. Likewise, the two preamp tubes can be any combination of 12AX7, 12AT7, 12AU7, 12AY7 or 12AZ7. The UniValve delivers tones from smooth and clear to very aggressive overdrive. It is quite small and light, yet easily capable of driving a 4 x 12″ cabinet. It has a built-in hot plate power attenuator that allows for full output distortion at almost any volume. And it doesn’t cost as much as you might think.What is a Class A? Class A is a term given to an amp that runs its tubes at full current all the time, unlike most tube amps that alternate between running one set of tubes and the other set, each for one half of the wave. The set not in use is turned off by a positive swing of the grid voltage. Single-ended output stages always operate in Class A. Most push-pull amplifiers, including the venerated Vox AC-30 operate in Class AB when overdriven, even if they are in Class A while clean. The upshot is that Class A operation has its own unique tone characteristics that set it apart from other tube amp classes. Class A amps sound great at low volumes, and even better as you turn them up. Thus, with the relatively low wattage of the UniValve you can turn up the amplifier to take full advantage of its stunning output distortion tone without deafening anyone. Why the self-biasing feature? The UniValve’s circuitry senses the current needs of the output tube and provides the correct bias volt-age to the cathode of the output tube regardless of tube type or wear. This means that, without any trip to an amp technician, you can simply replace the output tube with one that has different sound characteristics. (Of course, you can also change the preamp tubes at will for even more tonal variations.) For example, a 6550 will stay cleaner at higher volumes, but when overdriven, yields an astoundingly “woody” character to the overdrive. On the other hand, an EL34 will break up earlier than a 6550 and gives a more British sound. The ever-popular 6L6 family of tubes gives a tight overdrive with less power than a 6550 but more detail than an EL34. Even within the same type of output tube there are “harder” and “softer” tubes, so two guitarists playing with the same guitar through the same UniValve, but simply switching the tubes to their preference, can have noticeably different tones.Controls and Features The UniValve has two inputs: one for high gain and one for low gain ranges. The low gain input with 12AX7 preamp tubes in the amp gives a wide range of clean sounds from country clean and crisp to jazz warmth. With the controls pegged and a relatively high-output humbucker, the low-gain input can deliver a very convincing Texas blues type of ov

The Line 6 Spider III HD150 Guitar Amplifier Head delivers killer amp and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more! Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more. These presets combined with 7 quality effects models, make the Spider III amp head a giant of tone that give you any sound you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Line 6 Spider III is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when a discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender amps, including the blackface ‘65 Twin Reverb and blackface ‘64 Deluxe Reverb. We wanted an Amp Model that has that classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender tweed Deluxe Reverb, ‘58 Fender tweed Bassman and a ‘60 Gibson Explorer to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall JTM-45, a ‘58 Fender Bassman, a ‘63 Fender Vibroverb and a Supro, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amp had.On Fire: Green LED – This Amp Model is based on* a 68 Marshall Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.Metal: Red LED – This Amp

In the Vox V412 guitar cabinet, 4 – 12″ original GHS12-30 speakers crank out bold, tight lows and crisp highs.

The Koch Studiotone Combo Amp is an amazing all-tube guitar amplifier, which can do a lot more than just studio work. This compact power combo sounds bigger than one might suspect and is fully stage worthy. Its 3 channels instantly provide a wide variety of tones. The power amplifier is equipped with two EL84s in class-A and has an “old VOX like,” open, sparkling, yet warm tube sound. Especially when overdriven, the musical saturation of the EL84s create unique overtones and harmonics. The STUDIOTONE’s 3 channels can be selected on the front panel or remotely switched with the included FS2-ST footswitch.The Clean channel is warm with a rich and sweet clarity useable for any music style. The Overdrive+ channel provides killer lead sounds and its rich and musical distortion will give you an incredible singing tone with natural harmonics and great definition. In order to give you more tone options, the STUDIOTONE has two Voicing switches added to the 3 already powerful tone controls, which influence the tone of all 3 channels. The 2-way “Mid Shift” switch enables you to boost the mid frequencies around 800Hz for a better tone definition. The 3-way “Bright” switch allows you to cut or boost the high frequencies for creating a warmer or brighter overall sound. The newly designed VG12-60 Koch speaker is extremely efficient and has deep and warm lows with enough highs for a twinkling clean sound. The 3 speaker output jacks (4, 8 and 16 ohms) enable you to hook up any speaker combination you can think of.The most amazing features of the STUDIOTONE can be found on the back panel. First, the built-in Power Soak and the Speaker on/off switch enable you to play the STUDIOTONE at full volume and record it in silence, without driving your neighbors crazy. Second, the Recording output allows you to input your sound (as it comes from the speaker) directly into a mixing console or HD recording system while a speaker simulation filter simulates the sound of a microphone placed in front of the speaker. In order to give you extra voicing possibilities there are two switches, one for simulating a 1×12 or 4×12 cabinet, the other for selecting the place of the microphone, axis or off-axis. On top of that, a Line output without frequency compensation connects the STUDIOTONE, for example, to a rack mount power amp and a “To Clean channel” output with frequency compensation.With this unique feature you can input your sound into any other guitar amp’s Clean Channel for boosting your total volume without losing the unique sound of the STUDIOTONE. The Headphones output allows you to practice anywhere at any time. Last, but not least, the STUDIOTONE comes with great sounding Accutronics spring Reverb and an Effects Loop.

Based on a Vox AC30TB. Includes 2 – 12AX7s and a 3-band EQ with bright switch, gain, and level.

The Line 6 Spider III 75 Guitar Combo Amp delivers killer amplifier and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more.Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more! These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any tone you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III guitar speaker is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when their discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender amps, including the blackface ‘65 Twin Reverb and blackface ‘64 Deluxe Reverb. It has classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender tweed Deluxe Reverb, ‘58 Fender tweed Bassman and a ‘60 Gibson Explorer to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall JTM-45, a ‘58 Fender Bassman, a ‘63 Fender Vibroverb and a Supro, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amplifier had.On Fire: Green LED – This Amp Model is based on* a 68 Marshall Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.Metal: Red LED – This Amp Model is based on* the M

The THD UniValve Rackmounted Guitar Amplifier Head is a single-ended class A amplifier head with a single output tube that can be switched at will among many octal-based power tubes, including 6L6, EL34, 6550, KT90, KT88, KT77 and KT66, for different tones without re-biasing the amp. Likewise, the two preamp tubes can be any combination of 12AX7, 12AT7, 12AU7, 12AY7 or 12AZ7. The UniValve delivers tones from smooth and clear to very aggressive overdrive. It is quite small and light, yet easily capable of driving a 4 x 12″ cabinet. It has a built-in hot plate power attenuator that allows for full output distortion at almost any volume. And it doesn’t cost as much as you might think.What is a Class A? Class A is a term given to an amp that runs its tubes at full current all the time, unlike most tube amps that alternate between running one set of tubes and the other set, each for one half of the wave. The set not in use is turned off by a positive swing of the grid voltage. Single-ended output stages always operate in Class A. Most push-pull amplifiers, including the venerated Vox AC-30 operate in Class AB when overdriven, even if they are in Class A while clean. The upshot is that Class A operation has its own unique tone characteristics that set it apart from other tube amp classes. Class A amps sound great at low volumes, and even better as you turn them up. Thus, with the relatively low wattage of the UniValve you can turn up the amplifier to take full advantage of its stunning output distortion tone without deafening anyone. Why the self-biasing feature? The UniValve’s circuitry senses the current needs of the output tube and provides the correct bias volt-age to the cathode of the output tube regardless of tube type or wear. This means that, without any trip to an amp technician, you can simply replace the output tube with one that has different sound characteristics. (Of course, you can also change the preamp tubes at will for even more tonal variations.) For example, a 6550 will stay cleaner at higher volumes, but when overdriven, yields an astoundingly “woody” character to the overdrive. On the other hand, an EL34 will break up earlier than a 6550 and gives a more British sound. The ever-popular 6L6 family of tubes gives a tight overdrive with less power than a 6550 but more detail than an EL34. Even within the same type of output tube there are “harder” and “softer” tubes, so two guitarists playing with the same guitar through the same UniValve, but simply switching the tubes to their preference, can have noticeably different tones.Controls and Features The UniValve has two inputs: one for high gain and one for low gain ranges. The low gain input with 12AX7 preamp tubes in the amp gives a wide range of clean sounds from country clean and crisp to jazz warmth. With the controls pegged and a relatively high-output humbucker, the low-gain input can deliver a very convincing Texas blues type of ov

The Koch Studiotone Combo Amp is an amazing all-tube guitar amplifier, which can do a lot more than just studio work. This compact power combo sounds bigger than one might suspect and is fully stage worthy. Its 3 channels instantly provide a wide variety of tones. The power amplifier is equipped with two EL84s in class-A and has an “old VOX like,” open, sparkling, yet warm tube sound. Especially when overdriven, the musical saturation of the EL84s create unique overtones and harmonics. The STUDIOTONE’s 3 channels can be selected on the front panel or remotely switched with the included FS2-ST footswitch.The Clean channel is warm with a rich and sweet clarity useable for any music style. The Overdrive+ channel provides killer lead sounds and its rich and musical distortion will give you an incredible singing tone with natural harmonics and great definition. In order to give you more tone options, the STUDIOTONE has two Voicing switches added to the 3 already powerful tone controls, which influence the tone of all 3 channels. The 2-way “Mid Shift” switch enables you to boost the mid frequencies around 800Hz for a better tone definition. The 3-way “Bright” switch allows you to cut or boost the high frequencies for creating a warmer or brighter overall sound. The newly designed VG12-60 Koch speaker is extremely efficient and has deep and warm lows with enough highs for a twinkling clean sound. The 3 speaker output jacks (4, 8 and 16 ohms) enable you to hook up any speaker combination you can think of.The most amazing features of the STUDIOTONE can be found on the back panel. First, the built-in Power Soak and the Speaker on/off switch enable you to play the STUDIOTONE at full volume and record it in silence, without driving your neighbors crazy. Second, the Recording output allows you to input your sound (as it comes from the speaker) directly into a mixing console or HD recording system while a speaker simulation filter simulates the sound of a microphone placed in front of the speaker. In order to give you extra voicing possibilities there are two switches, one for simulating a 1×12 or 4×12 cabinet, the other for selecting the place of the microphone, axis or off-axis. On top of that, a Line output without frequency compensation connects the STUDIOTONE, for example, to a rack mount power amp and a “To Clean channel” output with frequency compensation.With this unique feature you can input your sound into any other guitar amp’s Clean Channel for boosting your total volume without losing the unique sound of the STUDIOTONE. The Headphones output allows you to practice anywhere at any time. Last, but not least, the STUDIOTONE comes with great sounding Accutronics spring Reverb and an Effects Loop.

Based on the popular DA5 Digital Amp, the DA20 combines higher power with the same great tone and go-anywhere portability of their smaller sibling. The DA20 Amp offers the option of running on battery power, so you can take the jam session literally anywhere!Loaded with tone, at home or to go. The 20-Watt DA20 offers 11 distinctive sound styles ranging from clean to high gain, 11 great sounding, digital effects, a “knob-based” control panel that’s really easy to use, plus a whole lot more. Designed to take the show on the road, the DA20 amp can be cranked up at 5 Watts on battery power (6 x C batteries, not included).Great sounding effects. The versatility of the Vox DA20 combo extends to a full complement of 11 digital effects. Featuring auto-wah, chorus + delay, chorus + reverb, compressor, compressor + chorus, compressor + phaser, delay, flanger + reverb, reverb, rotary + reverb, and tremolo + reverb. There’s also a Tap Button that makes it easy to set the delay time or modulation speed. And like the larger AD Series or “Valvetronix” amps, editing the effects parameters on the DA20 is simple.Double up the tone. The DA20 is equipped with two VOX original design speakers. The DA20 packs a punch with 2 x 8 ” speakers. With the VOX DA amplifiers, you don’t have to sacrifice great tone for portability and ease of use!Play it anywhere, any way! The DA20 can be powered by its AC adapter or by six C batteries. A built-in output power switch (MAX, 1.5W, 0.5W) helps extend battery life and lets you play at lower volume without losing any tone or feel.That’s not the only trick this tone machine has to offer. The DA20 amplifier comes equipped with an AUX IN that allows you to connect an external audio device such as a CD or MP3 player, plus a MIC INPUT to connect a microphone. Just plug your guitar in, and you can play and sing along with your favorite band or recording!Great for practicing and recording. The Vox DA20 is equipped with a combination Line/Headphone output so you can connect to a headphone, mixer or recorder. The amps’ emulated line out provides a full, realistic sound whether you’re recording direct or listening through headphones. And since plugging into the jack defeats the speaker output, you can practice when you want, where you want, and as loud as you want in total privacy.Great sounding. Great looking too. The DA20 is dressed in black vinyl with black chrome grilles or brown diamond grille cloth.

Based on the popular DA5 Digital Amp, the DA10 guitar amplifier combines higher power with the same great tone and go-anywhere portability of their smaller sibling. The Vox DA10 offers the option of running on battery power, so you can take the jam session literally anywhere!Loaded with tone, at home or to go. The 10W DA10 offers 11 distinctive sound styles ranging from clean to high gain, 11 great sounding, digital effects, a knob-based control panel that’s really easy to use, plus a whole lot more. Designed to take the show on the road, the DA10 amp can be cranked up at 5W on battery power (6 x C batteries, not included).Great sounding effects. The versatility of the DA10 extends to a full complement of 11 digital effects. Features auto-wah, chorus + delay, chorus + reverb, compressor, compressor + chorus, compressor + phaser, delay, flanger + reverb, reverb, rotary + reverb, and tremolo + reverb. There’s also a Tap Button that makes it easy to set the delay time or modulation speed. And like the larger AD Series or “Valvetronix” amps, editing the effects parameters on the DA10 combo is simple.Double up the tone. The DA10 is equipped with 2VOX original design 6.5″ speakers. You don’t have to sacrifice great tone for portability and ease of use!Play it anywhere, any way! The DA10 can be powered by its AC adapter or by six C batteries. A built-in output power switch (MAX, 1.5W, 0.5W) helps extend battery life and lets you play at lower volume without losing any tone or feel.That’s not the only trick this tone machine has to offer. The DA10 amplifier comes equipped with an AUX IN that allows you to connect an external audio device such as a CD or MP3 player, plus a MIC INPUT to connect a microphone. Just plug your guitar in, and you can play and sing along with your favorite band or recording!Great for practicing and recording. The Vox DA10 combo is equipped with a combination Line/Headphone output so you can connect to a headphone, mixer or recorder. The amps’ emulated line out provides a full, realistic sound whether you’re recording direct or listening through headphones. And since plugging into the jack defeats the speaker output, you can practice when you want, where you want, and as loud as you want in total privacy.Great sounding. Great looking too. The DA10 is dressed in black vinyl with black chrome grilles or brown diamond grille cloth.

The Vox AC15 Classic Custom preserves the tone that made it a rock legend in the first place with updates for more flexibility and control. Master volume and global reverb and tremolo controls have been added, plus a rear panel impedance switch is provided for use with extension speakers. It generates 15W of tube power to drive a 12″ Celestion Alnico Blue speaker, and delivers the warm, expressive tone of the original AC15. Tremolo and reverb are footswitchable via the included VF002 footswitch.

The Heritage Collection AC30HH 30-watt head is a stunning amplifier! This all-tube, hand-wired beauty features two channels of classic VOX tone. Channel 1 is an EF86 tube based channel and channel 3 is VOX’s famed 12AX7 based Top Boost channel. Other premium appointments include genuine leather handles and vintage cream covering.

The Line 6 Spider III 150 Stereo Combo delivers killer amp and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more! Line 6 has also given the Spider III 150 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more!. These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any sound you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III amp is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when a discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender© amps, including the blackface ‘65 Twin Reverb© and blackface ‘64 Deluxe Reverb©. It has classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender© tweed Deluxe Reverb©, ‘58 Fender© tweed Bassman© and a ‘60 Gibson© Explorer© to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall© JTM-45, a ‘58 Fender© Bassman©, a ‘63 Fender© Vibroverb and a Supro©, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox© AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall© Plexi 50 Watt. This type of Marshall© amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall© amp had.On Fire: Green LED – This Amp Model is based on a ‘68 Marshall© Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input ch