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Marshall Limited Edition Kerry King MG10KK 10W 1×6.5 Combo Amp Red/Black

Sep 1, 2010 Marshall Guitar Amps

Marshall’s Kerry King signature practice amp, the MG10KK, is a 10-Watt, 2-channel combo amp with a 6.5″ speaker. It features FDD: Frequency Dependent Damping, a speaker emulation that brings the sound of a big guitar speaker from your small practice amp driver. You also get a speaker-emulated line out that doubles as a CD-in, for playing along with your favorite recordings. A headphone jack, with the same great, emulated sound output, allows you to use your Marshall amp to shred in silence, without bothering roommates or neighbors. The classic gold Marshall panel has been stained red while its black knobs and tribal tattoo design are in stark contrast to its bold white text. The result is an amp that in Kerry’s words truly has been “reigned in blood.”It also includes an exclusive Guitar Abuse tutorial DVD, commissioned by Marshall Amplification and filmed by Guitar World. Legendary Slayer guitarist, Kerry King, gives you a personal insight and demonstrates exactly what this diminutive beast can do.The MG Series raises the standard for what can be expected from a value-for-money range of guitar amplifiers and defines a new benchmark.Control Panel 1. Input jack: Use a good quality guitar (screened) cable to plug your guitar in here. 2. Clean VOLUME control: When the OD Select switch is out’; this control adjusts the volume of the Clean Channel. At low settings the sound will be very clean with a bell-like ring. Turning this control above half way will introduce a desirable, bluesy distortion as the power amplifier is driven into crunch mode’. 3. OD (Overdrive) SELECT switch: Depressing the Overdrive Select Switch will engage the Overdrive Channel. 4. Overdrive GAIN control: Turning up the Overdrive Gain Control will increase the amount of distortion generated in the Overdrive channel. Low gain settings will produce classic rock and blues tones. Crank the Gain for fat and aggressive sounds that are perfect for soloing or hard rock and nu-metal riffs. 5. Overdrive VOLUME control: The MG10KK cleverly combines its Line Out and CD Input functions. If you want to jam to your favorite CD or tape, merely connect the headphone output of your CD or tape player here, adjust the player’s volume to match that of your guitar and hey-presto’ you’ve got the perfect play-along’ practice system. Alternatively, you can use this socket to connect the MG10KK to your multi-track recording machine and you’ll get a great guitar sound direct to disk or tape. HELPFUL HINT: for silent’ recording merely plug an unconnected jack plug to the headphone socket and you’ll disconnect the MG10KK’s internal speaker. 8. EMULATED HEADPHONES jack: Plug your headphones here for a killer speaker emulated sound! Doing this mutes your MG10KK amp’s internal speaker for silent practice. 9. POWER Switch and LED: The power switch turns your amplifier on and off. The LED will be lit when your amplifier is on.DVD Contents Guitar A

 

Marshall P801 Single Footswitch

Aug 29, 2010 Marshall Guitar Amps

Can be used with either a Valvestate or a tube amp.

 

Marshall EL34 100/100 Dual Monobloc Amp

Aug 24, 2010 Marshall Guitar Amps

Dual monobloc power amp delivers the goods with 100W per side of stereo slam! Switchable voicing from classic to modern on each channel makes this amp a must for serious pros. 8 EL34 tubes provide awesome power.

 

Marshall 1962 Bluesbreaker Combo Amp

Aug 18, 2010 Marshall Guitar Amps

The Marshall 1962 Bluesbreaker Combo Amp is just like the one used by Eric Clapton during his stint with Mayall’s Bluesbreakers and famously on the Beano sessions. With 30W output and 2×12 speakers, it produces a gutsy bass and vibrant top, coupled with an overall natural warmth. The valve rectification output stage, pioneered by Marshall in the early 1960s, is responsible for helping achieve the famed compression and sustain exhibited uniquely by both the JTM45 and 1962. Though somewhat tonally similar to a JTM45, the 1962 combo is loaded with 2 Celestion Greenback 25W speakers and also comes with a footswitchable tremolo effect.If you’re looking for that sensuous, creamy early Clapton sound, we guarantee that you’ll find it in this beautifully reissued Marshall combo. The natural tone and overdrive of the 1962 Bluesbreaker Amp will quickly become a fundamental ingredient in your overall sound.

 

Marshall 1974X Handwired 18W 1×12 Combo Amp

Aug 13, 2010 Marshall Guitar Amps

The Marshall 1974X 18W 1×12 Combo Amp is a handwired reissue of the model 1974, a combo originally produced from 1965 to 1968. Introduced as a practice combo amp in 1965, it wasn’t as loud as the terror-inducing heads Marshall was producing, but it could rock, giving up incredible lead and crunch sounds at low volumes. The 1974X combo comes with 2 EL84 tubes in the power amp, 3 ECC83s in the preamp, an EZ81 rectifier tube, and features valve-driven tremolo. A proprietary, aged reissue of the 20W, ceramic magnet Celestion T1221 speaker used in the original adds to the Marshall 1974X’s tonal authenticity. Marshall includes a footswitch with your 1974X Combo Amp.

 

Marshall Vintage Modern 2466 Tube Amp Head

Aug 12, 2010 Marshall Guitar Amps

The Marshall Vintage Modern 2466 Tube Amp Head is an all-valve amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall amplifiers to be produced, with four KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.Finally, a series FX loop is provided for those players who wish to use outboard effects to further enhance their sound. Loop levels of 10dB and +4dB can be controlled via a rear panel switch as well as the option to completely bypass this feature if it is not required.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.

 

Marshall 1959HW, 1960AHW, and 1960BHW Full Stack

Aug 11, 2010 Marshall Guitar Amps

This Marshall full stack includes a 1959HW head, a 1960AHW angled extension cab, and a 1960BHW straight extension cab.Marshall 1959HW Handwired Plexi Head The Marshall 1959HW amp head is a handwired reissue of a circa 1967 100W Superlead head. Since 1967 when the JMP (Jim Marshall Products) Plexi panels were introduced, the Superlead head has been the benchmark for all-tube distortion and tight crunch. Tube lineup includes 4 EL34s in the power section and 3 ECC83s in the preamp. True bypass effects loop, 3-band EQ, and presence control.Marshall 1960AHW & 1960BHW 120W 4×12 Extension Cabinets The 1960AHW and 1960BHW are hand-soldered, 120W, mono, 16-ohm 4×12″ guitar speaker cabinets with salt ‘n’ pepper grille cloths, metal handles, loaded with reissue 30W Celestion G12H speakers.

 

Marshall Vintage Modern 2266 Tube Combo Amp Factory B-Stock

Aug 11, 2010 Marshall Guitar Amps

The Marshall Vintage Modern 2266C 50 Watt 2 x 12 is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility of tonal shaping for individual guitars and styles while the power amplifier is heavily based on the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of 10dB and +4dB are catered for via rear panel switch as well as the option to completely bypass this feature if it is not required.The Combo comes fitted with two Celestion G12C 25 Watt greenback speakers enabling stand-alone performance. There is a facility for using an extension cab if required.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.

 

Marshall MG100DFX Combo

Aug 9, 2010 Marshall Guitar Amps

Drawing on the vast experience of their design team, the Marshall MG100DFX Combo amps are built to the same exacting standards as all Marshall products. Though compact in size, each one delivers a dynamic yet toneful punch, and they’re all suitable for a wide variety of purposes including rehearsal, recording and even live work. The MG100DFX is a 2-channel amp with special features such as FDD (Frequency Dependent Dampening), CD ins, plus emulated line out, and emulated headphone jacks. It features digital effects including reverb, delay, chorus, and flange. With 100W and a 12″ custom speaker, this is a fully gig-capable amp, and it retains all the features that make it great for practice, too. Includes footswitch.

 

Marshall Limited Edition MG100HDFX and MG412A Purple Half Stack

Aug 6, 2010 Marshall Guitar Amps

The Marshall MG100HDFX/MG412A Purple Half Stack features the MG100HDFX Guitar Amp Head and the MG412A Angled Guitar Extension Speaker Cabinet in an awesome purple finish.MG100HDFX Guitar Amp Head Boasting the same impressive features and staggering versatility of the Marshall MG100DFX combo, this awesome, 100W amp head will drive any speaker cabinet from the Marshall Range, but it is best suited to the MG412A (angled) and MB421B (straight) 120W 4×12″ speaker cabs. Unbelievable tone, feel and projection comes standard.MG412A Angled Guitar Extension Speaker Cabinet The perfect companion for theMarshall MG100HDFX Guitar Amp Head, the MG412A Angled Guitar Extension Speaker Cabinet features 4 premium Celestion 30W 12″ speakers in the coolest purple cabinet to ever rock the planet! This Marshall speaker cabinet is bright and punchy with tight lows. The angled speaker cab lets you hear yourself while you blow the house down. The Marshall MG412A cab is rock-solid and roadworthy. (Casters not included.)

 

Marshall JVM Series JVM210C 100W 2×12 Tube Combo Amp Black

Aug 3, 2010 Marshall Guitar Amps

In a nutshell, the Marshall all-valve, 2-channel JVM210C combo is a 2-channel version of the most versatile Marshall amplifier ever made, the JVM410C. It also boasts more gain than any other Marshall to date-and that’s really saying something!Each of its 2 channels are completely independent of each other, and they boast 3 Modes, all 6 of which are footswitchable and feature their own unique gain structure. It makes the JVM 2-channel effectively 6 Marshalls in one!The JVM210C has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.An ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 4-way footswitch boasts LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM210C all-valve combo will give you whatever tone you need right when you need it.

 

Marshall MG30FX 1×10 30W Guitar Combo Amp Black

Aug 1, 2010 Marshall Guitar Amps

For all of those guitarists that want more from their amplifier and refuse to sacrifice tone, the MG30FX delivers. In addition to the superior MG sound both the MG30FX offers a fully programmable feature set using digitally controlled analog functions for precise adjustment to your sound. For each mode you can individually store your preferred setting by simply adjusting the front-panel controls to your desired positions and then pressing the Store button. It is that simple.

 

Marshall MG30DFX Combo

Aug 1, 2010 Marshall Guitar Amps

With the Marshall MG30DFX Combo you get the Marshall sound in a compact practice/backstage amp. Though small, it delivers a dynamic yet toneful punch. 30W, 10″ speaker, two channels. Loaded with digital effects including reverb, delay, chorus, and flange. Includes special features such as FDD (Frequency Dependent Dampening), CD ins, plus emulated line out and emulated headphone jacks.

 

Marshall MS-2 Mini Amp

Jul 20, 2010 Marshall Guitar Amps

You can take Marshall tone and vibe with you with the Marshall MS-2 Mini Amp. Classic Marshall grille cloth; crunchy distortion; and plenty of volume for good, clean fun. Controls for overdrive, tone, and volume. Powered by one 9V battery. The Marshall MS-2 Mini Amp includes belt clip and headphone jack. 5-3/4″ high.

 

Marshall Vintage Modern 2266, 425A and 425B Full Stack

Jul 17, 2010 Marshall Guitar Amps

This Marshall full stack includes one 2266 amp head, one 425A angled speaker cab, and one 425B straight speaker cab.Marshall Vintage Modern 2266 Tube Amp Head This head is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance. Two frequency selective Pre-amp Volumes (Gains)-Body and Detail-facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound. A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch. Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of 10dB and +4dB can be controlled via a rear panel switch as well as the option to completely bypass this feature if it is not required. The cosmetics are also a carefully crafted hybrid of old and new styles-made even more dramatic by the deep purple vinyl that covers the entire series.Marshall Vintage Modern 425A & 425B 4×12 Extension Speaker Cabinets These cabinets are traditional Marshall 4 x 12 speaker cabs in design. These cabs are mono/stereo switchable and are loaded with G12C 25 Watt Celestion Greenbacks. These were specifically developed for the Limited Edition Jimi Hendrix Super100JH stack and are voiced to give that rich and balanced harmonic timbre that complements vintage tone and the Vintage Modern Series perfectly. The cosmetics are also a carefully crafted hybrid of old and new styles-made even more dramatic by the deep purple vinyl that covers the entire series.

 


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