This Marshall full stack includes one JVM410H Tube Amp Head and a 1960A angled cab with a 1960B straight cab for some serious stage presence. JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that’s really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H amp head has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they’re incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you’re only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1960A and 1960B 300W 4×12 Guitar Extension CabinetThe Marshall 1960 Speaker Cabinet puts out beautiful tone at any volume. The addition of an impedance (4 or 16 ohm) mono/stereo switching mechanism has transformed the “industry standard” 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers. The bottom cabinet is traditionally square-shaped with casters while the top speaker has an angled front.

Drawing on the vast experience of their design team, the Marshall MG100HDFX Head amps are built to the same exacting standards as all Marshall products. Though compact in size, each one delivers a dynamic yet toneful punch, and they’re all suitable for a wide variety of purposes including rehearsal, recording, and even live music work. The MG100DFX is a 2-channel amp with special features such as FDD (Frequency Dependent Damping), CD ins, plus emulated line out, and emulated headphone jacks. It features digital effects including reverb, delay, chorus, and flange. With 100W, this is a fully gig-capable amp, and it retains all the features that make it great for practice, too.

In a nutshell, the Marshall all-valve, 2-channel JVM205H 50W tube head is a 2-channel, 50W version of the most versatile Marshall amplifier ever made, the JVM410H. Each of its 2 channels are completely independent of each other, and they boast 3 Modes, all 6 of which are footswitchable and feature their own unique gain structure. It makes the JVM 2-channel effectively 6 Marshalls in one!The JVM205H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.An ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 4-way footswitch boasts LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM205H all-valve amp head will give you whatever tone you need right when you need it.

The Marshall Vintage Modern 2466 Full-Stack includes the Vintage Modern 2466 Tube Amp Head, Vintage Modern 425A angled speaker cabinet and Vintage Modern 425B straight speaker cab.The Marshall Vintage Modern 2466 Tube Amp Head is an all-valve amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall guitar amplifiers to be produced, with four KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.Finally, a series FX loop is provided for those players who wish to use outboard effects to further enhance their sound. Loop levels of 10dB and +4dB can be controlled via a rear panel switch as well as the option to completely bypass this feature if it is not required.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire speaker series.The Marshall Vintage Modern 425A angled cab and 425B straight cab are traditional Marshall 4 x 12 speaker enclosures in design. These cabs are mono/stereo switchable and are loaded with G12C 25 Watt Celestion Greenbacks. These were specifically developed for the Limited Edition Jimi Hendrix Super100JH stack and are voiced to give that rich and balanced harmonic timbre that complements vintage tone and the Vintage Modern Series perfectly.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.

Since his birth in 1923, Jim Marshall has changed the world of guitar music forever by listening to the needs of guitarists, incorporating them into amplifier designs, and developing some of the most cutting-edge and familiar tones ever recorded.The 1923 85th anniversary amp head commemorates Dr. Marshall’s 85th birthday celebration. Based on the legendary JCM 2000 Dual Super Lead platform, the 1923 head features 50 watts of EL34 power and that distinctive Marshall tone. The front panel is finished with a custom color print design incorporating both the 85th Celebration logo and Union Jack flag. Every guitar amp head is constructed using high-grade Baltic birch plywood for superior sonic performance and durability.

The Marshall MG10 is a 10W combo that delivers 2 distinctive Marshall tone sets. With its honest, clean sparkle and aggressive overdrive, the 10W of power is amazingly punchy thanks to its closed-back cabinet design and carefully chosen speaker. In order to further allow the guitarist to tujne in to their desired sound, the MG10 also features a contour control, allowing the user to adjust the the EQ in one single and simple turn of a control. The 10W also features individual headphone output and line input sockets. The Line In allows you to plug in your MP3 or CD player in and play along with your favorite tunes, and the headphone socket will allow any standard 3.5mm headphone set to be plugged in so you can practice in private.

The Marshall MG100DFX is a 2-channel amp with special features such as FDD (Frequency Dependent Dampening), CD iputs, plus emulated line out, and emulated headphone jacks. It features digital effects including reverb, delay, chorus, and flange. With 100W, this is a fully gig-capable amp and it retains all the features that make it great for practice, too. The Marshall MG412 straight cab is the perfect match to the MG100HDFX. This 8 ohm, 120W cab is loaded with 4 – 12″ custom-voiced Marshall/Celestion speakers and finished in rugged black Tolex.

Marshall JTM45 Amp Head A lovingly created reproduction of Jim Marshall’s first amplifier. Now the classic JTM45 is accessible to all who enjoy its glassy, clean tone and fluid, warm sustain. By including GZ34 valve rectification, as found in the original, Marshall has ensured a faithful recreation of the JTM45’s glorious sound. The GZ34 rectifier valve interacts with the rest of the valves causing subtle harmonics to shift and smolder beneath every note you play.Marshall 1960TV Cabinet Has an angled front; four 12″ Greenback speakers; and a warmer, thicker sound than the 1960A. This 100W, mono, 16-ohm cabinet is 3 inches taller than a standard 1960A 4×12 cabinet which results in well defined mid range and a lowered resonant frequency for more prominent lows. The 25W Greenbacks are less in your face than the 75W Celestions in the 1960A. Although not a reissue-it was never offered in the past-this cab recreates the classic look and tones of yesteryear.

The all-valve Kerry King Signature JCM800 2203KK is the essence of simplicity-a single-channel tube amp with no reverb or effects. It’s easy control panel, distinctive roar, and larger than life edge has set the standard by which many rock amps are judged.This Kerry King model features a switchable Kerry King signature sound section called “The Beast” that has two adjustable controls -”Assault” & “Gate.” “Assault” intensity controls the extent of Kerry’s signature EQ boost, and “Gate” is an adjustable, studio-quality, ultra-fast noise reduction unit. The 3-band EQ gives you plenty of control, but the base tone of this amp is patterned after the reverse-shape EQ setting used by Kerry himself! Eye-catching tribal graphics blaze from the front panel and baffle. Jim Marshall and Kerry King’s signature’s on the control panel identify its pedigree.One of the nicest surprises: Marshall has added functionality to the amp, while lowering the price!

The Marshall Vintage Modern 2266 50 Watt Head is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of 10dB and +4dB can be controlled via a rear panel switch as well as the option to completely bypass this feature if it is not required.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.

There’s nothing to lose and a lot of gain with this Marshall JVM410H Tube Amp Head and 1936 2 x 12 Half Stack kit, a foot-stomping deal if there ever was one. JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that’s really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshall amps in one!The JVM410H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they’re incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you’re only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1936 2×12 Cabinet The Marshall 1936 2×12 Cabinet has two 12″ Celestion G12T75 speakers to handle 150W. Size matches full-size Marshall heads. Offers mono or stereo option (eight ohms mono; sixteen ohms stereo). Marshall constructs the 1936 Speaker Cabinet with locking joints; smooth ABS plastic corners; and heavy-duty, ergonomically recessed grab handles.

The sturdy, compact Marshall MG15CDR 15 Watt Combo Amp with Reverb boasts 2 channels, a custom-voiced 8″ speaker, and 15W of Marshallized power. Its clean channel will give you shimmering clean tones, and when cranked produces a musical crunch perfect for blues. The overdrive channel kicks in a bunch of the distortion that has made the Marshall name. 3-band EQ. Spring reverb. Emulated headphone output gives you great tone and mutes the speaker. Includes CD input.

Marshall’s AS50D is a 50-watt, 2 x 8″ acoustic guitar combo amp with 2 channels, including a phantom-powered microphone channel. It features a redesigned tweeter, digital chorus and reverb, and an anti-feedback notch filter. Each channel sports its own volume, EQ, FX loop, and D.I. output. Master volume, line out and RCA inputs round things out nicely.Believe it or not, the Marshall design team does not consist solely of metal heads, rockers and blues lovers. The award winning, critically acclaimed AS50D is proof of their diversity and expertise.

In a nutshell, the Marshall all-valve, 2-channel JVM215C is a 2-channel, 50W version of the most versatile Marshall amplifier ever made, the JVM410C. Each of its 2 channels are completely independent of each other, and they boast 3 Modes, all 6 of which are footswitchable and feature their own unique gain structure. It makes the JVM 2-channel effectively 6 Marshalls in one!The JVM215C has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.An ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 4-way footswitch boasts LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM215C all-valve combo will give you whatever tone you need right when you need it.

The Marshall MG100DFX is a 2-channel amp with special features such as FDD (Frequency Dependent Dampening), CD iputs, plus emulated line out, and emulated headphone jacks. It features digital effects including reverb, delay, chorus, and flange. With 100W, this is a fully gig-capable amp and it retains all the features that make it great for practice, too. The Marshall MG412 straight cab is the perfect match to the MG100HDFX. This 8 ohm, 120W cab is loaded with 4 – 12″ custom-voiced Marshall/Celestion speakers and finished in rugged black Tolex.